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New York, I Love You is a 2008 American romanticcomedy-dramaanthology consisting of eleven short films, each by a different director. The shorts all relate in some way to the subject of love, and are set among the five boroughs of New York City. The film is a sequel of sorts to the 2006 film Paris, je t'aime, which had the same structure, and is the second installment in the Cities of Love franchise, created and produced by Emmanuel Benbihy. Unlike Paris, je t'aime, the shorts of New York, I Love You all have a unifying thread, of a videographer who films the other characters.

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The film stars an ensemble cast, among them Bradley Cooper, Shia LaBeouf, Natalie Portman, Anton Yelchin, Hayden Christensen, Orlando Bloom, Irrfan Khan, Rachel Bilson, Chris Cooper, Andy García, Christina Ricci, John Hurt, Cloris Leachman, Robin Wright, Julie Christie, Maggie Q, Ethan Hawke, James Caan, Shu Qi and Eli Wallach.

New York, I Love You premiered at the 2008 Toronto International Film Festival in September 2008, and was released in the United States on October 16, 2009.

• 2Reception

Cast and crew[edit]

Following is the cast and crew of ten segments of New York, I Love You with the transition segment directed by Randy Balsmeyer:^[4]

Reception[edit]

Critical response[edit]

The film has received mixed reviews from critics, holding a 49/100 rating on Metacritic, indicating 'mixed or average reviews' (based on 26 critics).^[5]Rotten Tomatoes reported that 35% of critics gave the film positive reviews based on 96 reviews with an average score of 5/10.^[6]

Lisa Schwarzbaum of Entertainment Weekly gave the film a B regarding the film 'takes the wrinkle-free, easy-travel concept first executed in the 2007 Gallic compilation Paris, je t'aime to a new city and styles itself..'^[7]Roger Ebert of the Chicago Sun-Times gave the film 3 stars saying in his review, 'By its nature, 'New York, I Love You' can't add up. It remains the sum of its parts.'^[8]A. O. Scott of The New York Times gave the film a mixed review claiming 'Not that the 11 shorts in New York, I Love You are all that bad. It's a nice-looking city, after all, even if the interstitial skyline and traffic montages assembled by Randy Balsmeyer are about as fresh as the postcards on sale in Times Square.'^[9] Lou Lumenick of the New York Post gave the film 1 star claiming 'there were two additional segments that have since been cut. So you'll have to wait for the DVD to see just how bad Scarlett Johansson's directing debut is.'^[10]

Erica Abeel of The Hollywood Reporter writes 'New York, I Love You continues the Cities of Love series that began with Paris, je t'aime far surpassing it. (..) The vignettes are tied together into a single feature through a recurrent character, a videographer who interacts with the other characters. And transitional elements -- choreographed by 11th director Randy Balsmeyer -- move the viewer from one world to another, uniting all these intimate stories into a single shimmering fabric.'^[11] 'With younger, less-tested directing talent, the film plays down the delineation between one director's work and another, opting to blend them through loosely interconnected characters here and there. As opposed to its directing roster, however, the cast boasts quite a few big names, all of which lend a surprising amount of authenticity to these funny, imaginative little stories,' explains Heidi Patalano of Metro New York giving the film a 4 grade out of 5.^[12] Claudia Puig of USA Today explains that anthologies are by their very nature an uneven entity and adds 'The multicultural emphasis - both in characters and in the unusual selection and collaboration of filmmakers and artists - is one of New York, I Love You's main assets. And there's no question that Manhattan looks ever-vibrant and beautiful.'^[13]

Box office[edit]

The film grossed $1,588,015 in the United States.^[3]

In popular culture[edit]

An episode of the Netflix series Master of None is named and structured after New York, I Love You.^[14] Like the film, the episode follows the intersecting lives of various New Yorkers, although the episode's stories are not exclusively about romance.

References[edit]

1. ^'Michael Benaroya'. IMDb.
2. ^'New York, I Love You in October'. Slashfilm.
3. ^ ^ab'New York, I Love You (2009) - Box Office Mojo'.Cite web requires website= (help)
4. ^New York, I Love You(DVD) format= requires url= (help). Vivendi Entertainment.
5. ^'New York, I Love You (2009): Reviews'. Metacritic. Retrieved 2012-12-22.Cite web requires website= (help)
6. ^'New York, I Love You Movie Reviews, Pictures'. Rotten Tomatoes. IGN Entertainment. Archived from the original on 2009-10-28. Retrieved 2009-10-27.Cite uses deprecated parameter deadurl= (help)
7. ^'New York, I Love You Review - Entertainment Weekly'. Entertainment Weekly. 2009-10-16. Retrieved 2009-10-17.Cite web requires website= (help)
8. ^'New York, I Love You Review - Roger Ebert'. Chicago Sun-Times. 2009-10-14. Retrieved 2009-10-17.Cite news requires newspaper= (help)
9. ^Scott, A. O. (2009-10-16). 'Manhattan Is for Lovers: Two by Two by Two by ..' New York Times. Retrieved 2009-10-17.Cite news requires newspaper= (help)
10. ^Lumenick, Lou (2009-10-16). 'Big Applesauce'. New York Post. Retrieved 2009-10-17.Cite news requires newspaper= (help)
11. ^'New York, I Love You Film Review - The Hollywood Reporter'. The Hollywood Reporter. 2009-10-05. Archived from the original on October 8, 2009. Retrieved 2009-10-05.Cite uses deprecated parameter deadurl= (help)
12. ^''New York' falls to beautiful pieces'. Metro New York. 2009-10-15. Archived from the original on 2010-02-23. Retrieved 2009-10-15.Cite uses deprecated parameter dead-url= (help); Cite web requires website= (help)
13. ^Puig, Claudia (2009-10-15). 'New York, I Love You harbors surprises as well as the sub-par'. USA Today. Retrieved 2009-10-15.Cite news requires newspaper= (help)
14. ^https://www.imdb.com/title/tt6224692/?ref_=ttep_ep6

External links[edit]

• New York, I Love You on IMDb
• New York, I Love You at AllMovie
• New York, I Love You at Box Office Mojo
• New York, I Love You at Rotten Tomatoes
• New York, I Love You at Metacritic

Have you been mistaken for a native french speaker yet? Notice that I said “yet” because yes, it will happen to you. It happened to me sooner than I thought it would. After I finally came down from the incredible 24-hour ego-boost, I asked my French acquaintance why he had mistaken me for French. The reason he gave was that I knew how to blur certain words into other words, in just the right way.

I can promise that this came from one thing: listening to French people. Not just in person, while in France, but by immersing myself in French via massive quantities of French films. French Films: The Sneakiest Way to Learn the Sneakiest Language French is indeed the sneakiest language—it has the silent e, silent t, silent everything. It’s a cliche to French language learners that you only pronounce about half of any given French word. The joke is based on truth. French is a veritable minefield of.

But it’s not only sneaky because native French speakers don’t pronounce every syllable of every word. It’s also a sneaky language because so many words can and should be mushed together. In fact, it’s technically wrong if you don’t blur the lines between certain adjacent words. French films are incredible tools for learning a more natural, native way of speaking because they’re substitutes for pure immersion. You can “live” those everyday situations and learn what words work when. You can learn how to say any given sentence in a laid-back way versus a serious,.

You can pick up shortcuts and learn all the acronyms that the French so love to chop good, solid words into. Native French speakers take all the shortcuts, just like you probably do when you’re with your friends. How can you learn the art of mushing your words together and get to that golden moment of being mistaken for a native French speaker?

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Or, lots and lots of French films. Top Tips for Learning French from Movies with English Subtitles Catch a phrase! As you watch, (hopefully sans judgmental companions) repeat the phrases that you recognize aloud to yourself.

Of course, this vocalization helps with pronunciation. Since you’re mimicking someone who’s likely a native French-speaking actor, you’ll naturally follow their elocution.

Commit fully to reproducing the actor’s tone and emotion, whether the actor is male or female. This is easier when alone, or with a buddy who gets it. This is a time to feel playful, and the more you commit, the more you’ll memorize that pronunciation. The muscle memory will sink in as you make expressions and gestures. Your emotional memory—yes, that’s a thing—will kick in when you fully take on a role in this story and practice with commitment. Use the English subtitles—it’s not cheating, I swear Not only does the “catch a phrase” technique above do great things for pronunciation, but it also helps you to memorize new words.

Repeating phrases while seeing what they mean in the English subtitles—in addition to seeing it all being played out on-screen—is a perfect combination for learning. Keep in mind that subtitles can at times be a bit imprecise, and they’re more meant to give you the gist of things rather than a perfect translation. Get the rhythm Once in a while, ignore the English subtitles and focus on the rhythm. Spend some time focusing wholly on the rhythm of the French sentences you hear spoken in the film. As you grow aware of this, try to repeat how sentences sound without using words. The resulting sound should be something like humming, or like Charlie Brown’s teacher. This technique reveals the hidden melody of the French sentence, as distinct from your native tongue.

Notice how many French phrases sound like questions in English, rising at the end—even though they’re not questions at all. Notice how long sentences have rises and falls within them, and when those occur, practice saying those sentences aloud. Bring a notebook If you want to remember anything that you just learned watching that movie, you better have brought a notebook with you.

This will help you capture any new words you glean from the subtitles so you can practice them later. While this is the fun side of French learning, it doesn’t mean you can throw your devotion to memorization out the window. Now that I’ve guilted you into getting out your notebook, let’s talk about how cool this is.

You’re watching a French movie with English subtitles. It’s like you’re watching—not reading—a dictionary.

Could it get any easier than that? (Yeah, if you didn’t have to take notes, that would be easier.) As you watch, try to jot down sentences you hear quickly. See if your French spelling holds up to this little speed test. Double points if your subjonctif (subjunctive) can keep up.

Go sans sous-titres (without subtitles) for a few minutes How long can you last? Try pushing your limits. If you initially think you can only last five minutes and still retain a decent level of interest in the film, try 10 minutes. It’s so important to stretch yourself in this way and give yourself a challenge. You’ll surprise yourself with how much of the language you’ll catch.

If you haven’t experienced true immersion, this is the best practice for it. You’ll learn to grasp at the words you do know and contextualize.

You’ll also realize how little you need language at all, thanks to expressions, gestures and context—which is oddly comforting. Forget grammar (just this once) This is a time to forget about grammar. I’ll say that again, because its probably hard to believe, coming so soon after my lecture about notebooks. This is a time to forget about French grammar. There is, and that time is every time and every place, except for this one.

French movies have a different lesson for you. This is all about pronunciation, and immersion. Having reserved times for practicing your French without worrying about grammar can do some good, if you don’t overdo it.

Quick cautionary tale: One time I forgot about grammar too much and then my French sounded like garbage. So, you need to care about grammar just a little bit.

If you take this no-grammar practice time seriously, letting go of the need to speak correctly every second can make you braver in your French. Letting go of the need for perfection can mean the difference between actually talking to people while on your expensive trip to France and being terrified to ask the waiter for more bread. The regret you’ll feel if you don’t get comfortable (even with your imperfect French) is worse than the regret of having someone correct your bad French grammar in public. So, use this movie time as a safe space to get tongue tied and love it. Only then will you learn which words you can mush together, and which should stay on their own turf. 5 Popular French Movies with English Subtitles I can tell by looking at you that you’ve already seen “Amelie” and “L’auberge espagnole” about ten times each.

Cinema is one of France’s great passions, so it’s time for you to go a little further down the rabbit hole. These films will you teach you French cinema while they help you practice talking like real, live French people. “A bout de souffle” English Title: “Breathless” Available On: So, in the 1960s, the French were obsessed with American gangster films. Case in point: This movie. This movie will show you, via unexpected jump cuts and other filmmaking oddities, what Jean Luc Godard means to French culture. As a plus, the female lead, American actress Jean Seberg, speaks French slow enough that you’ll catch every word and end up feeling very, very fluent.

See how many scenes you can watch without looking at the English subtitles! This is a great one for any beginners out there. “La vie d’Adele” English Title: “Blue is the Warmest Color” Available On: This 2013 film won la Palme D’Or, the highest award at (the Cannes Film Festival), which should tell you that it’s great and also somewhat unique.

Being a coming-of-age drama, this will show you how the teens talk these days, while supplying a heady amount of drama to reenact from your couch while Netflixing and chilling. “Bande de filles” English Title: “Girlhood” Available On: A beautifully artful, modern French film, “Bande de filles” is filled to the brim with new for you to try on, showing a slice of French society you don’t always get to study in a classroom setting: African-French female gangs. If you’re a film lover, the cinematography will knock your socks clean off. If not, you’ll still get a chance to learn a little more about how real people talk in urban France. “Paris je t’aime” English Title: “Paris I Love You” Available On:, Here’s a mish-mash of short films taking place in France in French, by a slew of international filmmakers. “ Paris, je t’aime” will give you a variety of different characters with different emotions to mimic, and thus, a ton of new colloquialisms from every area of French society. You can also work with this film by breaking your sessions into pieces—try watching one a day for a week.

This one is also great for beginners, because there is some English sprinkled throughout as well. “Les emotifs anonymes” English Title: “Romantics Anonymous” Available On:, A 2010 romantic comedy about two adorable individuals who are made for each other but too shy to talk about it. This is a great one because it’s simple enough that you can probably get through a few scenes without looking at the subtitles, and it’s so engaging that you’ll want to keep watching. Sometimes the simpler films are best to get your practice in because they’re easier to follow and you can truly focus on your pronunciation. Fin (The End) Just remember: Play with the subtitles—now you see ’em, now you don’t! Make it fun to practice your pronunciation, because this is where you get to forget about perfect grammar.

Keep at it, and maybe someday you’ll finally be mistaken for being a native speaker. Don’t just wait for it, though. Go out and get it! Or rather, go in, make some popcorn, sit on the couch and turn on one of the aforementioned flicks—not to be confused with flics, ( slang for “cops”).